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En El monstruo de St Pauli, el director indagación conscientemente una estética de lo feo. Aprovechándose de la deformación que genera el gran angular, acerca la cámara al rostro del protagonista para acentuar lo desagradable de su rostro y muestra su casa como un lado extremadamente desaseado, en el que el olor de cuerpos en descomposición, sangre y vómito logra atravesar la pantalla y comprar fisicidad.

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But they are secondary to the bleary-eyed ladies he persuades to come home with him: beautifully drawn characters, and not all of them die. The mousy Gerda Voss, touchingly portrayed by Margarethe Tiesel with sagging skin and hopeless eyes, actually moves in with him, accepting his humiliating sexual behavior (Fritz is impotent and resorts to using kitchen implements in bed) while she strings him along about introducing him to her daughter Rosi. The scene where she drinks with Fritz and his awful brother Siggi (Marc Hosemann) is a laugh.

En definitiva, la historia de Fritz Honka es una muestra del ala más anfibológico de la naturaleza humana, y un recordatorio de que la violencia y la misoginia pueden tolerar a cometer crímenes terribles.

In the early 1950s, Honka started an apprenticeship Figura a bricklayer but had to give it up due to an allergy. Honka fled to West Germany in 1951 and started work as an unskilled farm worker in the small village of BrockhöConvicción on the Lüneburg Heath. He had an affair with a woman named Margot which yielded a son, Heinrich. Honka had to pay 3000 Deutschmarks alimony and left the village.

Rikke68/Getty Images Fritz Honka's confession should have been all that the police needed to secure a conviction. But Honka's attorney argued that Honka wasn't legally sane, citing his mention of acting on orders from Jack the Ripper (per Crime + Investigation U.K.). The defense strategy worked — Honka avoided being sent to a maximum-security prison with other rapists and murderers and was instead sent to a psychiatric facility for the criminally insane.

is quite a different matter, and it remains to be seen how much gruesome slumming audiences are willing to pay to do.

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se centra en la unidimensionalidad de su personaje para ganar platicar de los actos y dejarse de psicologismos. Acostumbrados a las películas donde los asesinos en serie son guapos hombre trajeados, perfeccionistas minuciosos y lectores de grandes clásicos de la letras, Fritz Honka se presenta como un maníaco que pierde todo atisbo de humanidad al Libar y que escasamente la conserva poca cuando no lo hace.

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Apartmajska hiša v Ottensenu v Hamburgu, kjer je živel Honka Decembra 1970 je Honka, takrat nočni čuvaj družbe Shell, storil svoj prvi dokazani umor. V svojem stanovanju je zadavil FRITZ HONKA Gertraud Bräuer, 42-letno frizerko in občasno seksualno delavko.

mareado puede apreciarse el inclinación por lo más bajo. Un capricho que pertenece tanto a Akin como al personaje de Honka.

Honka murdered again, four years later, when he strangled the 54-year-old sex worker Anna Beuschel in his flat in August 1974. He claimed that she had not been passionate enough when they had sex.